| 1 |
The' Fighting Temeraire' Tugged to Her Last Birth to be Broken
Up |
1838 |
91 x 122 cm |
National Gallery, London |
Exhibited R.A. 1839 |
Turner's romantic conjunction of the Veteran ship and the setting sun was intended to contrast with
the sharply outlined tug, propelled by steam, the new power for transport |
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| 2 |
Chichester Canal |
1828 |
65.5 x 134.5 cm |
Tate Gallery, London |
oil on canvas |
commission from Lord Egremont |
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| 3 |
The Burning Of the Houses Of Lords And Commons, October 16,
1834 |
1835 |
? Cm |
Cleveland Museum of Art |
watercolour |
Turner painted two oils of the great fire of 1834, one was finished on Vanishing Day RA. |
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| 4 |
Procession of Boats with Distant Smoke, Venice, |
1845 |
90 x 120.5 cm |
The Tate, London |
oil on canvas |
Turner in Venice |
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| 5 |
Yacht approaching the Coast |
1835 - 40 |
102 x 142 cm |
Tate Gallery, London |
oil on canvas |
Buy Books on Turner |
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| 6 |
Festive Lagoon Scene, Venice |
1845 |
91 x 121 cm |
Tate Gallery, London |
w/c |
- |
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| 7 |
Regulus |
1828 |
91 x 124 cm |
Tate Gallery, London |
oil on canvas |
A Roman General captured by Carthaginians during the Punic war and sent to Rome to negotiate a treaty |
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| 8 |
Petworth: The Artist and his Admirers ( The Old
Library) |
1830 |
14 x 18.9 cm |
Tate Gallery, London |
Body colour on blue paper |
Turner had a studio Petworth. Home of friend Lord Egremont |
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| 9 |
Sunrise with Sea Monsters |
1845 |
91.5 x 122 cm |
Tate Gallery, London |
oil on canvas |
- |
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| 10 |
Dolbaderm Castle |
1798 |
67.7 x 97.2 cm |
Clore Gallery |
Pencil & watercolour |
Turner's diploma painting for the Royal Academy |
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| 11 |
Lausanne, with Lake of Geneva |
1841 |
23.2 x 33.2 cm |
Tate Gallery |
watercolour + pen & ink |
My attempt at the lovely Turner watercolour, 1999
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mouse-over compare
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| 12 |
Venice; the Giudecca, looking towards Fusina |
1840 |
22 x 31 cm |
Tate Gallery |
watercolour + red & black chalk |
Combining a whole range of techniques, cross hatching, pencil and finishing off in chalk. |
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| 13 |
Goldau |
1843 |
22.7 x 29.2 cm |
Tate Gallery |
watercolour |
watercolour sketch for clients, based on Rossberg fell disaster of 1806 |
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| 14 |
Hero and Leander, |
? |
?cm |
National Gallery London. |
- |
Anybody Know size etc? |
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| 15 |
Music Party, Petworth |
1835 |
121 x 90.5 cm |
Tate Gallery |
oil on canvas |
Turner spent much time at Petworth, indeed he maintained a studio their. |
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| 16 |
Ulysses Deriding Polyphemus-Homer's Odyssey |
1829 |
132 x 203 cm |
National Gallery, London |
oil on canvas |
Text with enlargement > |
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| 17 |
Peace - Burial at Sea |
1842 |
87 X 86.5 cm |
Tate Gallery |
oil on canvas |
A tribute to Turner's friend David Wilkie who had just died. |
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| 18 |
The Angle Standing in the Sun |
1846 |
78 x 78 cm |
Tate Gallery |
oil on canvas |
- |
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| 19 |
Mortlake Terrace, The Seat of William Moffatt Esq. Summer's
Evening |
1827 |
92 x 122 cm |
National Gallery of Art Washington DC |
oil on canvas |
One of a pair commissioned by William Moffatt, this is looking at Moffatt's home |
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| 20 |
Slavers Throwing Overboard the Dead and Dying-Typhoon Coming
on |
1840 |
91 x 138 cm |
Boston Museum Fine Art |
oil on canvas |
(The Slave Ship) |
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