| 1 |
Cathedral Church at Lincoln |
RA 1795 |
45 x 35 cm |
British Museum, London |
watercolour |
- |
 |
| 2 |
The Pantheon, The Morning after the Fire |
RA 1792 |
39.5 x 51.1 cm |
British Museum, London |
watercolour |
- |
 |
| 3 |
Moonlight, a Study at Milbank |
RA 1797 |
31.5 x 40 5 cm |
Tate Gallery, London |
oil on mahogany panel |
- |
 |
| 4 |
The Eruption of the Souffrier Mountains |
RA 1815 |
79.5 x 104.8 cm |
University of Liverpool |
oil on canvas |
(rest of title) in the Island of St Vincent, at Midnight, on the 30th April 1812, from a
sketch by P. Keane |
 |
| 5 |
Eruption of Vesuvius |
1817 |
28.6 x 39.7 cm |
Yale Centre for British Art |
watercolour |
inspired by violent thunderstorm at Walter Falkes estate in Yorkshire, 2 years
previous |
 |
| 6 |
Snow Storm: Hannibal and his Army Crossing the
Alps |
RA 1815 |
145 x 236.5 cm |
Tate Gallery, London |
oil on canvas |
Turner's verse: While the fierce archer of the downward year
Stains Italy's blanch'd barrier with storms.
|
 |
| 7 |
Crossing the Brook |
RA 1815 |
193 x 165 cm |
Tate Gallery, London |
oil on canvas |
One of Turner perfect landscapes, considered the climax of the first half of his
career. |
 |
| 8 |
Windsor Castle from the Thames |
1802 |
91x 122 cm |
Tate Gallery, London |
oil on canvas |
Accepted by H.M. Government in lieu of tax and allocated to the Tate Gallery 1984 |
 |
| 9 |
Rockets and Blue Lights |
1840 |
46.3 x 61.6 cm. |
Clark Institute, Williamstown, Massachusetts |
oil on canvas |
In the left-hand portion of this composition a group of people on shore watch rockets being
exploded at sea to warn passing ships of shallow water |
 |
| 10 |
Landscape with a River and a Bay in the
Background |
1835 |
94 x 123 cm |
The Louvre, Paris |
oil on canvas |
This painting belongs to a group of unfinished works composed around 1835, when the elderly
artist reprinted his "Liber Studiorum", |
 |
| 11 |
Fisherman at Sea |
1796 |
91 x 122 cm |
Clore Gallery |
oil on canvas |
 |
 |
| 12 |
The Storm (Shipwreck) |
1823 |
43.4 x 63.2 Cm |
British Museum |
watercolour |
Like Dover Castle this painting was for reproduction in 'Marine Views'. |
 |
| 13 |
Dover Castle |
1822 |
43 x 62 cm |
Museum Fine Art, Boston |
watercolour |
Turner celebrates the age of steam. The sail boats having a difficult time getting to
harbour. |
 |
| 14 |
Calais Pier, with France Poissards preparing for sea: an
English Packet arriving. |
1803 |
172 x 240 cm |
National Gallery London. |
oil on canvas |
Britain and France at peace Turner makes his first visit to the Continent. |
 |
| 15 |
Keelmen Heaving Coals by Moonlight |
1835 |
90 x 122m |
National Gallery, Washington |
oil on canvas |
Book Shop |
 |
| 16 |
Lake Lucerne: the Bay of Uri from above Brunnen, |
1842 |
? Cm |
National Gallery |
watercolour |
Turner in Switzerland |
 |
| 17 |
Montreux, |
1841 |
? Cm |
- |
watercolour |
- |
 |
| 18 |
The Lake of Geneva with the Dent d'Oche: tending the
vines |
1841 |
? |
- |
watercolour |
- |
 |
| 19 |
Lucerne from the Walls |
1842 |
? Cm |
Clore Gallery, London |
watercolour |
- |
 |
| 20 |
Turner's House |
? |
- |
- |
- |
Chronology |
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